published yesterday in arqa.com "El Molino Franchino stands as a metaphor to be expected hábitat, recobrar la dimensión, ser habitada para decir su texto, su canción creativa e insinuante. La palabra dice “molino”, de moler, pulverizar en partes, hacer liviano lo pesado, destrozar el todo y alcanzar la sutileza. Sacar y no poner, como en el arte y el sentido.
Cambiar la sustancia para transformarla en otra cosa, harina de lenguaje, forma de nombrarnos, volvernos a inventar. “Molino” es, al fin, un “molino harinero”, un homenaje visible al trabajo y a la acción humana, a la secuencia para recrear la materia, para alcanzar el pan, la complejidad de lo simple. Entonces, giro del color al blanco, del todo a la parte, del hierro al body, subject to the direction of the collective effort. Work of multiple languages \u200b\u200bwhere the construction is poetry, the solder can be silent, a line drawn in water, a string converted into a song. Birth of a culture factory, a place to imagine, design and produce all kinds of cultural goods, toys, furniture, books, artwork, photographs, films and shows. " Mill recovery of buildings Franchino complex and their incorporation into a system of parks and public spaces in the city of Santa Fe Franchino Old Mill is located in the block by Bv. Gálvez and streets Castellanos, Republic of Syria, and Peter Vittori. This site is a differential piece starring the urban area of \u200b\u200bSanta Fe pericentral preservation and recovery criteria applied in this case, not only for the historic significance of buildings, but also for their constructive and valuable space. In such spaces are posed by the development of educational activities and exhibitions related to industrial design and applied design in general. A multi-school aimed at arts and crafts, and display both the finished product and its manufacturing processes and design.
To this end were held the following architectural
recover the interior spaces of the nave, to capture the fascination and mystery that produce these internal and assimilate them to enhance their charm and expressiveness spatial constructive reinvent the use of these spaces to promote contemporary artistic practices, and equip them with the necessary infrastructure in order to develop such practices efficiently. The work is scheduled in two overlapping phases in an estimated total of twenty-four months. The first stage began on 23 December 2008 and has a construction time of twelve months and an investment of approximately $ 10,350,000. Involves the area between the nave and the Republic of Syrian street. This stage develops the adequacy of an existing building for the operation of workshops, classrooms and school management. Among the main edilicios bodies proposing to construct a street within 25 meters wide, which crosses the block with north-south direction, suitable for the practice of mass activities which assumes a leading role by its status as a major public space. The inside lane merges with the decking and sidewalks encouraging the continuity of the pedestrian experience around and inside the complex. To fill this gap and create a pleasant and protected adapted the draft "vault shell, developed in the late 40s by architect Amancio Williams, placing value on an iconic architectural object that represented one of the highest points of architectural culture in Argentina. The task was to imagine, huddled under his shadow, all kinds of public activities, both massive and experiences of small groups or individuals. Hoppers at ground level in a circular, exposed through the disarmament of metal silos, are used to produce a system of raised beds filled with different materials (sand, grass, water) and generate on the northeast corner of the site a little square. The second stage of the work, which is scheduled for mid 2009, involves the total development of the nave and its expansion as an esplanade to the west (up the street Peter Vittori) and is adapted to solve the commuter rail stop low speed. Are arranged on the second floor vaulted shells that will mark out the path of the train to Park City and other significant points in their journey.
partial surfaces building workshops and services
Ground
• Object Services (worm): 200m 2
• Hall: 85 m 2
• Patio: 300 m 2
• Wet Core: 53 m 2
• Workshop: 330 m 2
• Cover Gallery: 70 m 2
Mezzanine
• Office and storage: 10 m 2 wet
• Core: 53 m 2
• Administration : 123 m 2
• First Floor Hall: 85 m 2 wet
• Core: 53 m 2
• Workshop: 330 m 2
Second floor
• Hall: 15 m 2
• Core wet: 53 m 2
• Workshop: 330 m 2
• Mezzanine: 53 m 2
Uses and destinations
1 - research, construction and operation of multiple designs .
a cultural range is assembled from the media: wood, glass, metal, cloth, paper and new materials. Old and new technologies for the realization objetual: costumes, furniture, toys, stained glass, metal things, paper, everyday things.
A) Learning more about the representation of projection, an approach to architecture, urbanism, and the preservation and recovery of assets.
B) The art, technique and technologies to support creative design processes.
C) Tribute to the world of work. Formation of cooperative design.
D) Experimentation and new trends on the production of objects.
E) Two modes of participation: Saturdays, Sundays and holidays the general public build, play, create, and invent in all areas of design, during the week, youth groups and adults occur in the cultural fabric design organized by support .
2 - A mixed administration with books, games and objects.
3 - A library, media library with all languages \u200b\u200band media to use, circular, ajar and admire.
4 - An area of \u200b\u200bcultural industries, display and kiosk (book, cd, dvd, design), database and meeting rooms.
5 - A center for experimentation in visual languages \u200b\u200bwith listening rooms, recording, various designs for the computer, American popular music, projecting soundtracks, animation, documentaries, photography, digital art, hypertext, showrooms, expectation rooms, theater, music, dolls, etc.
6 - Terrace of the urban arts, physical spaces for experimentation.
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